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Classic Leather Journal With Hand Cut-Deckled Edges

Classic Leather Journal With Hand Cut-Deckled Edges

Our hallmark Italian leather journal transports you to a world of handcrafted elegance.

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Product Details

An old-fashioned classic leather journal with hand cut pages featuring decorative deckled edging that promises a romantic journey back to an “epic world.”

  • • The Finest Quality Hardcover Leather Journals Found Anywhere!
  • Classic Styling Designed to Last a Lifetime. 
  • 320 Writing Pages (600 writing pages in extra-thick version) from paper supplied by the preeminent mill in Italy - Cordenons. Always Acid-Free, Archival Quality. 
  • • Excellent Desk Journal for Lefties! Lays Flat 
  • • Now available with Ruled-Lined or Blank-Unlined pages! (in Med, Lg & XLg sizes)
  • Suitable for All Ink Types, charcoal or pencil, and including Fountain Pens


Customize your Leather Journal with hand-cut pages

These popular hardcover leather journals feature unlined, cream-colored rough and irregularly cut page edges (320, 600, and even 1000 writing pages) for the budding artist, reflective diarist, or revolutionary thinker. This raw cut pages style gives your book a refined, bespoke look and feel that reflects pure inspiration for journaling.


Archival and acid-free writing stock (95gsm) makes the overall pen-to-paper experience extraordinarily smooth. This leather journal with hand-cut pages also features a signature raised spine that offers much guilty pleasure, affording you that secret means of traveling back through time.

Feel it, breathe it in, and sense the history inherent in its distressed leather marbling and hand-applied abrasions. This style of book pages refers to luxurious book designs of previous centuries when books were printed on giant sheets of paper. You must experience this finely crafted replication of leather-bound antiquity in order to appreciate it sincerely. As they are uniquely crafted and offered in different page sizes, books will have varying thicknesses, always more than 1-inch thick.
Deckled edge pages mean that this journal is in its original condition, the margins hadn’t been cut and that offers a more authentic experience to its owner. Originally deckled edge pages were "...the feathery, untrimmed edge of a sheet of paper formed by the flow of the stock against the deckle strap..." (The Story of Papermaking, Edwin Sutermeister).

For a 1,000-page behemoth, over 3-inches in thickness, visit our World's Thickest Journals.

Exact page dimensions:

  • Med-Lg: approx 7 x 9 ¾ inches (18 x 25cm)
  • Med-Lg, Extra-Thick: approx 7 x 9 ¾ inches (18 x 25cm) with 600 writing pages
  • XLg: approx 10 x 14 inches (25 x 35cm)


Some embossing notes:

  • • Any color will work well on this leather
  • • Choose metallic colors for high contrast, blind or black for a more traditional look
  • • For 8x10 and 11x15 sizes, longer inscriptions will work nicely
  • • Consider one line 1/3 from top, centered, and another line in the right corner

Customer Reviews
5.0 Based on 48 Reviews
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JS
06/25/2024
Joe S.
United States United States

Fountain Pen Nerdery!

I've been considering one of these journals for years, and I've searched to find reports of how exactly "suitable" the paper is for use with fountain pens. I finally pulled the trigger on the 8" x 10" journal with hand cut deckled edges, and I figured I'd drop a review here for others searching for details of behavior with fountain pens. The short answer is, it's great. You'll love it. The details: I've attached several pictures so you can see for yourself. (Forgive my handwriting, I'm always in too much of a hurry to prettify it. Someday haha.). The first entry was written with Levenger Raven Black ink in a Waterman Le Mans 100 Opera with a fine nib. The second entry (which continues onto the back of that page so you can judge ghosting for yourself) was written with the same pen, with De Atrementis document black. In both cases, there was no feathering, and only barely visible ghosting that does not come close to affecting your ability to read or write on the back of the page. This nib is finer than a lot of fines, and was nice and smooth on this paper, with just some pleasant feedback, hardly more than on Tomoe River though. Signatures were with Iroshizuko Tsuki-Yo in a 1.1 stub nib Twisbi. This is a dark, wet, ink; and that nib puts an awful lot of it on paper. You can see still there's no feathering and hardly any ghosting, nothing disruptive. Overall, I'm super pleased. Beautiful book, beautiful paper!

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